
Elektra Records’ casually fortuitous masterstroke was to appoint a lowly staff producer to helm the recording. Don Gallucci was considered inexperienced in terms of studio technique, but excelled as a session musician, and in addition, understood Garage Rock having played keyboards with The Kingsmen during the early 60s. His view was to deny the The Stooges sound any studio gimmickry or overdubs and just capture the raw essence that sonically bound the four together for their electrically charged live performances. For added authenticity Gallucci and the band set up their gear like they were playing a show, with ample room for Pop to swagger and menace as if an audience were before him. The Asheton brothers, Ron and Scott (guitar, drums), and bass player Dave Alexander create a tense but tight backdrop to Pop’s corrosive tales of tough streets, drugs and sluts. His hedonistic ideals were brazen, the morals of drug infused teen Dom interlaced through every syllable, whilst the band load the gun with brutally growling metallic guitar work and urgent rhythms. Side 1 is the sensationally maniacal party side of The Stooges with “Down On The Street” and “T.V. Eye” perfectly capturing the mood, whilst side 2 is more complex, darker, deeper and more explorative. Pop’s bravado shows cracks on the gargantuan title track as he warns of the consequences of excess at the “Fun House” whilst saxophonist Steven Mackay launches into a gloriously cacophonous freeform solo.
“Fun House” is a drooling derangement of all that came before it, a pulsating powerhouse of emotion, discordant attitudes, and blood pumping aggression.
10/10
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